Jonathan Uliel Saldanha

Piece for mixed choir in resonant space. Built for an informal vocal group between 40 and 70 people and without previous musical training, this piece starts from a closed system, a human machine that generates sound, with pre-established rules and indefinite duration. The title refers to the vertigo in Roger Caillois’ game theory, between the profane and the sacred, a scenic human device that seeks sensory and psychoacoustic contamination. The piece has a score of rules that, when applied in relation to space, constitute the form and presence of ILINX.